A NATION ON PAUSE: CORONAVIRUS IN INDIA

Mall Road, Ranikhet | Anuradha Roy

It is the middle of April and weeks into lockdown, limbo is a jittery place.

In today’s newspaper, gunshots during a game of Ludo: “Jai accused Prashant of coughing with the intention of giving coronavirus to other people. He shot him in the thigh.” Rumours whine like mosquitoes. A strident voice wafts across from next door: “Is this futuristic Chinese bioterrorism or a Muslim conspiracy?” Some say our hellish sanitation and tropical fevers have given us a carapace of immunity. We breathe calmer for a moment. Then the bad news closes in again: lost jobs, suffering, starvation and no end in sight.

I chanced upon a tweet yesterday from Christina Lamb, a foreign correspondent for the Sunday Times. “For the first time in my life I find myself wishing I lived in the country with a dog and a breadmaker and maybe a lemon tree.” That’s been us the past 20 years, in a corner of the Himalayas with three dogs and two lemon trees. No breadmaker though. We’ve always made bread the old-fashioned way, massaging dough like a lover’s limbs, not as a hobby but because it’s the only way we can have passable bread. Now friends at a loose end write for tips on starters and crusts and send sweetly proud images of fresh loaves. I’m a specialist agony aunt with time on her hands. In my past life I wrote fiction, my spouse ran an independent press. Now printing presses are closed and books locked in storage.

For the moment we have sky, forests, bread. And a series of unpredictable problems. Last week someone’s cow keeled over in the nearby forest. We could see it from our house: an immense, immobile mound. Since there are no municipal services for such things the owner gathered four friends who dug a pit big enough to house a lorry, then rolled the carcass into it. Social distancing remained a hopeless aspiration during this exercise.

Read the rest here in the Economist, where I wrote on the experience of lockdown in Ranikhet alongside Nilanjana Roy and Rahul Bhattacharya, who wrote in from Delhi.

HOUSE ON A MOUNTAIN

"...some people have the mountains in them while some have the sea. The ocean exerts an inexorable pull over sea-people wherever they are – in a bright-lit, inland city or the dead centre of a desert – and when they feel the tug there is no choice but somehow to reach it and stand at its immense, earth-dissolving edge, straightaway calmed. Hill-people, even if they are born in flatlands, cannot be parted for long from the mountains. Anywhere else is exile. Anywhere else, the ground is too flat, the air too dense, the trees too broad-leaved for beauty. The colour of the light is all wrong, the sounds nothing but noise." The Folded Earth For three days it had rained as if the sky had turned into a giant shower. It was my third trip to Ranikhet and yet again I was leaving without a glimpse of the high peaks. It didn’t matter. The sound of rain on a tin roof, the dry spells when the hills were honey-coloured in the newly-washed air: who needs more? Then someone sa

All the Lives We Never Lived wins the Sahitya Akademi Award 2022

Anuradha Roy bags coveted Sahitya Akademi Award, 22 others feted Anuradha Roy bagged the coveted Sahitya Akademi Award on Thursday. The author of 'All The Lives We Never Lived ' was felicitated along with 22 other authors for their exemplary contribution in the field of literature. This is the fourth book penned by the 40-something Roy. This book also won the prestigious Tata Book of the Year Award for Fiction in 2018. The book revolves around the life and times of a horticulturalist Myshkin, who narrates his life story, and his unending wait for letters from etters from the mother who abandoned him, for greener pastures in another country. Roy, who lives in Ranikhet, has previously written 'An Atlas of Impossible Longing', 'The Folded Earth' and 'Sleeping on Jupiter' which won the DSC Prize for Fiction 2016. It was also longlisted for the Man Booker Prize in the year 2015. Read more at: https://economictimes.indiatimes.com/ma

Language, Lost and Found

In France for a long spell earlier this year, everyone around me speaking in a language I didn’t speak or read, I began to think about the many streams of language I've swum in. My mother tongue, Bengali, was the language of home and of intimacy. Yet somewhere along those years, with a sigh drowned out by babel, the language had left me. I tried to find my way back to it through writers like Leela Majumdar and Bibhutibhushan. In "Language, Lost and Found" out now in Noema Magazine, I write of how I found it again, and of language in alien contexts. I'm not sure if this essay is travelogue or memoir or a bunch of stories. But here it is, and I hope you will read it. It was a red paperback with a green, winking cat spread across its large front. Just a few taps pulls it up on my screen now, and I wonder if my mental image of the day my father came with it as a gift for my brother and me is the work of memory or imagination. He walks in as if he has a happy secret and l

anuradha roy

Search This Blog