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Articles

As the Words Well Up: Nathacha Appanah's Fiction is Deeply Relevant to Indians
Telegraph, 30th July 2018

The India I Grew Up in Has Gone. These Rapes Show a Damaged, Divided Nation
Guardian, 17th April 2018

No More Calmly Sailing By
Wire, 13th April 2018

A Blue to Dream of: The Invention of Colours
Telegraph, 23rd May 2018

Turning Seasons
Telegraph, 4th April 2018

 Ten Years of An Atlas of Impossible Longing: What the Writer and Publisher Remember
Scroll, 5th March 2018

 A Shop of One's Own
Live Mint, January 22nd, 2018

What Happened One Morning in Ranikhet
Guardian, 3rd July 2017

Under the Flyover: Is Affinity with Animals Instinctive or Learned?
Telegraph, September 8th, 2015

India's Fatal Rape Was Typical in a Country That Degrades Women.
Daily Beast, January 2013

In the Valley of the Dog
India Today, January 2013

A Matter of Belonging
Open Magazine, 17th August, 2013

Under the Mask: It is a mistake to associate aggression only with loutish mobs
Telegraph, 17th October, 2011


Bohemian Brilliance
National Geographic Traveller. July 2013

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Ten years of Anuradha Roy’s ‘An Atlas of Impossible Longing’: What the writer and publisher remember ‘For three years, it was an alternative, secret universe in which I lived, awake or asleep.’  On serendipity and the difficult road to getting published: Anuradha Roy, writer  Read this in Scroll.in Christopher MacLehose and Anuradha Roy. Photograph by Rukun Advani An Atlas of Impossible Longing started in one of those “dummy books” – blank pages, hardbound – that binderies used to make to establish accurately the spine width of books that they would bind for a publisher. The publishing house was one my partner and I had recently set up. It had no capital but our savings, no office, and the only books as yet were dummies with blank pages. Because I still have that notebook, I know I wrote the first section of Atlas in pencil, in a non-stop scrawl that poured out without warning. It went on for a few pages and then came to a stop, after which the ...
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All the Lives We Never Lived wins the Sahitya Akademi Award 2022

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Painting a Residency

I spent most of May and a part of June at the De Pure Fiction residency in a tiny, isolated hamlet in the Occitanie in France. To write about the place and what it did to my work and to me will take time -- to reflect, to let things settle. Meanwhile, Isabelle Desesquelles, the French novelist who runs the residency, asked me a set of questions before I left, and has posted it on the blog with watercolours I painted while I was there. La Lettre #36 _______________ Anuradha Roy a publié cinq romans. Elle a résidé à la maison De Pure Fiction en ce printemps pour son prochain livre et depuis, les chevreuils, les oiseaux - rouge-gorge familier, huppe fasciée, pivert, coucou - les lézards verts, les libellules bleues, les papillons semblent s’être mis eux aussi à la lecture, la cherchant sous les pétales d’un coquelicot ou au travers du feuillage des oliviers. Peut-être même, tous, envisagent-ils de faire le voyage jusqu’en Inde et l'Himalaya où Anuradha Roy vit, ...
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