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"Fans of Michael Ondaatje’s recent novel, “Warlight,” will appreciate Roy’s similarly sensitive exploration of a child’s mingled confusion, resentment and hope...Even more captivating than the unexpected turns of this plot is the way she reaches into the depths of melancholy but never 
sinks into despair" 
Ron Charles, Washington Post


"Roy’s skillful blending–of fact and fiction, of personal and political, and of suspense and reward–creates a rich and layered read. But the modern resonances of rising nationalism, in India and beyond, ensure that Roy’s story of what happened in Muntazir transcends its own pages. “Once the letter was read,” Myshkin says, “it would be over and I would have to start waiting again.” It’s a feeling readers may well share"
Naina Bajekal, Time

Replete with the author’s characteristic virtues: an unerring eye for meaningful detail, vividly sensual descriptions of place, the ability to dwell in uncertainty, a luminous empathy for outsiders, misfits, and anyone struggling with limitation, constraint, and oppression... it is admirable, impressive, intelligent. Throughout, its artist characters’ dedication to beauty and meaning in the face of disaster and suffering ... shimmers alluringly"  
Priscilla Gilman, Boston Globe


"The book’s content and tone reminded me of Elena Ferrante’s Neapolitan novels. It also has a similar success weaving history into the lives of deeply rendered characters....a smart, powerful and ultimately illuminating book"  

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All the Lives We Never Lived wins the Sahitya Akademi Award 2022

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Painting a Residency

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