Skip to main content
 Readers rarely come to know about one person who devotes the most obsessive care and attention to the book they are reading: the typesetter.
Michael Mitchell, the enormously gifted, sharp-tongued, impish, chain-smoking man who typeset all my books, ran the Libanus Press with one partner, Susan Wightman, and together they turned out book after elegant book. His views on type were strong. Once, asked to identify a typeface, he wrote back: "Awful font. We think all except capital I are Futura Extra bold – the slab seriffed cap I is probably drawn. Slabbed cap I's are a serious abomination."
His 'studio' for that is what it ought to be called, was in a beautiful house in Marlborough, Wiltshire. It had lovely huge rooms had an exquisitely groomed garden at the back, as perfect as a well-set page. The times I visited him, there was always lunch and wine and smoke and talk as well as work and always a book at the end as a gift.
He died in November, aged 78. 
Here is his obituary from The Guardian

Michael Mitchell obituary

Typographer and designer who aimed for perfection with his books


Michael Mitchell launched into his career as a printer and publisher in 1975. He founded Libanus Press and in 1979 moved to Marlborough, Wiltshire.
Michael Mitchell launched into his career as a printer and publisher in 1975. He founded Libanus Press and in 1979 moved to Marlborough, Wiltshire. Photograph: MacLehose Press
Michael Mitchell, who has died aged 78, was one of the leading typographers of his day. He combined the chief aspects of his craft, namely an intimate knowledge of type, a mastery of layout, a sound grasp of book design and skill as a printer, with a keen aesthetic sense and a feeling for words. He produced fine limited editions and also designed books and series for a commercial publisher.



Michael launched into his career as a printer and publisher in 1975. At a chance meeting with Richard Shirley Smith, the painter and wood engraver, Shirley Smith offered Mitchell his old press, a stalwart 1860 Albion, together with some Monotype type. With this Michael began typesetting and printing broadsides and small poetry books in his garage. He founded Libanus Press and in 1979 moved to Marlborough, Wiltshire. As professional printers were disencumbering themselves of their machinery with the advent of the digital era, he collected several other presses. He acquired greater quantities of lead type and then a Monotype caster. This considerably widened the range of his type styles.
(Read the rest of this article here)



Popular posts from this blog

Begum Anees Khan

  Once a week around midday, Maulvi Sah’b would come in through the gates of our school in Hyderabad and class would divide briskly into two and troop off to different parts of the building. Those who were Muslim would be at religious instruction classes with him for the next half hour while the others trudged through moral science lessons. Something similar happened during language classes. We would hear a singsong chorus of “A-salaam-aleikum, Aunty”, from the Urdu classroom as we sat at our Sanskrit or Telugu lessons. Through my nomadic childhood, I’ve been at many schools. None exemplified the idea of secular India as intensely as this Muslim school in Hyderabad. Begum Anees Khan, who made it so, died in Hyderabad on August 16. Her passing feels symbolic, as if it signifies the death of a quixotic idea.  Anees Khan was not given to seeking the limelight or making speeches. She never spelled out her secularism. It was instinctive: instead of words, there was act...

A Tagore in Nainital

Sudakshina, from Chitra Deb's 'Thakurbarir Andarmahal' Earlier this month, I went to Abbotsford , a historic estate in Nainital, for the Himalayan Echoes literary festival, run by Janhavi Prasada. The festival took place on the extensive lawns of the estate, which is now run as an elegant hotel, but originally it was a family home and the place had been acquired from its British owners by Janhavi’s great grandfather Jwala Prasada and his wife, Purnima Devi, in the late 19 th century. Janhavi’s new book, Nainital Through Stories, Memories, History mentions this in its first few pages: From Nainital Through Stories I was intrigued to learn that Purnima Devi was a niece of Rabindranath Tagore. She was born (according to Wikipedia) on 13 May 1884, at No. 6, Dwarkanath Tagore's Lane, Jorasanko, Calcutta, to Hemendranath Tagore (1844–1884) of Jorasanko. Hemendranath was the older brother of Rabindranath Tagore, and son of Debendranath Tagore, founder o...

Painting a Residency

I spent most of May and a part of June at the De Pure Fiction residency in a tiny, isolated hamlet in the Occitanie in France. To write about the place and what it did to my work and to me will take time -- to reflect, to let things settle. Meanwhile, Isabelle Desesquelles, the French novelist who runs the residency, asked me a set of questions before I left, and has posted it on the blog with watercolours I painted while I was there. La Lettre #36 _______________ Anuradha Roy a publié cinq romans. Elle a résidé à la maison De Pure Fiction en ce printemps pour son prochain livre et depuis, les chevreuils, les oiseaux - rouge-gorge familier, huppe fasciée, pivert, coucou - les lézards verts, les libellules bleues, les papillons semblent s’être mis eux aussi à la lecture, la cherchant sous les pétales d’un coquelicot ou au travers du feuillage des oliviers. Peut-être même, tous, envisagent-ils de faire le voyage jusqu’en Inde et l'Himalaya où Anuradha Roy vit, ...