Skip to main content

BOOKS OF THE YEAR LISTS, 2011

Both An Atlas of Impossible Longing and The Folded Earth figured in year-end book lists, in newspapers as well as blogs.
The Washington Post had An Atlas of Impossible Longing at number two in their Best Books of 2011, saying "In this sprawling epic set in 20th-century India, a single act of pity rattles down generations to break a caste’s rules, test a family’s mettle and throw together two unlikely childhood friends who will negotiate every circuit of human love"; it was also in the books of the year list of The Seattle Times ("In this richly imagined debut novel about three generations of a Bengali family set in early 20th-century India, we come to understand what it means to have a home and family and also to lose them and become fully free") and Huffington Post's Red Carpet Season for Books list.

The Folded Earth was in  The Business Standard's The Year in Books by columnist Nilanjana S. Roy: "One of the quieter and lovelier surprises of 2011 was Anuradha Roy’s The Folded Earth, set in Ranikhet, which updated the “plain tales of the hills” genre for our times." It was also at the top of the list in The Asian Age, which said: "This year we were spoilt for choice with regard to fiction. First-time as well as old and venerable authors gave us spectacular stories. The few that come immediately to mind were Anuradha Roy’s The Folded Earth, Julian Barne’s The Sense of an Ending, Joydeep Roy-Bhattacharya’s The Storyteller of Marrakesh, David Davidar’s Ithaca, Jeet Thayil’s Narcopolis and Jamil Ahmad’s The Wandering Falcon." Eleuthrophobia, an interesting literary website in the UK which I discovered recently, placed it at number 4 in its Books of the Year list and described it as "a book to clutch to your heart through the cold winter. It's a rich and evocative story of rural India's struggle to shake off the remnants of the Raj and embrace a new political and religious future."

Popular posts from this blog

Painting a Residency

I spent most of May and a part of June at the De Pure Fiction residency in a tiny, isolated hamlet in the Occitanie in France. To write about the place and what it did to my work and to me will take time -- to reflect, to let things settle. Meanwhile, Isabelle Desesquelles, the French novelist who runs the residency, asked me a set of questions before I left, and has posted it on the blog with watercolours I painted while I was there. La Lettre #36 _______________ Anuradha Roy a publié cinq romans. Elle a résidé à la maison De Pure Fiction en ce printemps pour son prochain livre et depuis, les chevreuils, les oiseaux - rouge-gorge familier, huppe fasciée, pivert, coucou - les lézards verts, les libellules bleues, les papillons semblent s’être mis eux aussi à la lecture, la cherchant sous les pétales d’un coquelicot ou au travers du feuillage des oliviers. Peut-être même, tous, envisagent-ils de faire le voyage jusqu’en Inde et l'Himalaya où Anuradha Roy vit, ...

Begum Anees Khan

  Once a week around midday, Maulvi Sah’b would come in through the gates of our school in Hyderabad and class would divide briskly into two and troop off to different parts of the building. Those who were Muslim would be at religious instruction classes with him for the next half hour while the others trudged through moral science lessons. Something similar happened during language classes. We would hear a singsong chorus of “A-salaam-aleikum, Aunty”, from the Urdu classroom as we sat at our Sanskrit or Telugu lessons. Through my nomadic childhood, I’ve been at many schools. None exemplified the idea of secular India as intensely as this Muslim school in Hyderabad. Begum Anees Khan, who made it so, died in Hyderabad on August 16. Her passing feels symbolic, as if it signifies the death of a quixotic idea.  Anees Khan was not given to seeking the limelight or making speeches. She never spelled out her secularism. It was instinctive: instead of words, there was act...

THROWING IT OUT AND STARTING AGAIN

One evening in 2007, just as I was sitting down to dinner in Delhi, my then-brand-new publisher phoned from London. In the marvelously parenthetical, elliptical manner that was to become familiar to me over the next few years, he began talking of symphonies. Had I considered, he wanted to know, how symphonies are structured? “Not really? Well, as it happens . . .” After around ten minutes of his apparently aimless lecture on music, my interrupted dinner stone cold, the penny dropped: On the brink of publication, he wanted me to rethink my opening chapter.  (Read it here in Catapult) After I hung up, I returned to my plate of congealed food in silence. My husband and I were to drive up to our hill home at dawn—a holiday to celebrate the end of my endless first novel. And now at the eleventh hour this bombshell about the opening chapter. Even a novice knows that changing an opening chapter is rather more difficult than changing a concluding chapter because it means having to lo...