Skip to main content

Arundhati Roy's second novel... and other Atlas stories

The first US reviews of An Atlas of Impossible Longing are just coming in from the blogs. In a review to return to for comfort on the bad days, Brenda Youngerman writes:
"...without a doubt the best book I have read in the past six months! It is the kind of book that stays with you throughout the day. The kind of book that resonates within your mind as you think, feel, breathe, do your daily chores. The kind of book that makes you stop and take notice of things around you that you would not otherwise stop and take notice of." Read the complete review here.
The Scarlet Letter, in a perceptive review, says: "The novel is filled with plots and subplots and points of view, all intertwining and forming, like the lines of Mukunda's palm, an atlas of impossible longing.  Desire is the driving force in the novel: desire for love, for escape, for money and success and for all sorts of unfulfilled dreams. At the center of the atlas is the family house in Songarh, crumbling and aging along with the family."
Booksandbrands said: "Anuradha Roy’s prose was absolutely beautiful. The descriptive passages were perfection-not too little as to be overly concise, nor so flowery that I felt I had to skim over sentences. In fact, I devoured every single word of this lovely story. Her characters were well-developed but in such a subtle way you didn’t even feel it happening. Roy was able to perfectly balance character and story to produce what was to me a near-perfect novel."
Better Read than Dead loved it too: "The best novel I have read this year  -- actually in a couple years.  Each section is great with just enough action and pacing to keep the story moving."
Release notes says: "This makes a wonderful rainy day read.  Curl up with a cup of tea, a blanket and get lost in India for the afternoon"

Cynthia, on Goodreads loves it, only she thinks it is Arundhati Roy's second novel:
"I read Arundhati’s first book, The God of Small Things, about 12 years ago, after I had heard her interviewed on the radio. It still remains as one of my favorite books. Now I am excited to read her again. She has a beautiful way with words. I recently found out that she was trained as an architect, which explains one of the reasons that I enjoyed An Atlas of Impossible Longing". 
I hope Arundhati Roy feels as complimented by that as I do.

Nothing is everyone's cup of tea of course. So although Susie Bookworm likes most of the book, she finds that "Mukunda is a hard character to sympathize with... I want to smack Mukunda upside the head to wake him up." There are others who wanted some particular strands of the story tied up to neater conclusions, or thought that it was too tragic.

You can sample more American blog reviews of the book here, and here, here, here, and here




Popular posts from this blog

All the Lives We Never Lived wins the Sahitya Akademi Award 2022

  Anuradha Roy bags coveted Sahitya Akademi Award, 22 others feted Anuradha Roy bagged the coveted Sahitya Akademi Award on Thursday. The author of 'All The Lives We Never Lived ' was felicitated along with 22 other authors for their exemplary contribution in the field of literature. This is the fourth book penned by the 40-something Roy. This book also won the prestigious Tata Book of the Year Award for Fiction in 2018. The book revolves around the life and times of a horticulturalist Myshkin, who narrates his life story, and his unending wait for letters from etters from the mother who abandoned him, for greener pastures in another country. Roy, who lives in Ranikhet, has previously written 'An Atlas of Impossible Longing', 'The Folded Earth' and 'Sleeping on Jupiter' which won the DSC Prize for Fiction 2016. It was also longlisted for the Man Booker Prize in the year 2015. Read more at: https://economictimes.indiatimes.com/ma...
Ten years of Anuradha Roy’s ‘An Atlas of Impossible Longing’: What the writer and publisher remember ‘For three years, it was an alternative, secret universe in which I lived, awake or asleep.’  On serendipity and the difficult road to getting published: Anuradha Roy, writer  Read this in Scroll.in Christopher MacLehose and Anuradha Roy. Photograph by Rukun Advani An Atlas of Impossible Longing started in one of those “dummy books” – blank pages, hardbound – that binderies used to make to establish accurately the spine width of books that they would bind for a publisher. The publishing house was one my partner and I had recently set up. It had no capital but our savings, no office, and the only books as yet were dummies with blank pages. Because I still have that notebook, I know I wrote the first section of Atlas in pencil, in a non-stop scrawl that poured out without warning. It went on for a few pages and then came to a stop, after which the ...

Language, Lost and Found

In France for a long spell earlier this year, everyone around me speaking in a language I didn’t speak or read, I began to think about the many streams of language I've swum in. My mother tongue, Bengali, was the language of home and of intimacy. Yet somewhere along those years, with a sigh drowned out by babel, the language had left me. I tried to find my way back to it through writers like Leela Majumdar and Bibhutibhushan. In "Language, Lost and Found" out now in Noema Magazine, I write of how I found it again, and of language in alien contexts. I'm not sure if this essay is travelogue or memoir or a bunch of stories. But here it is, and I hope you will read it.  It was a red paperback with a green, winking cat spread across its large front. Just a few taps pulls it up on my screen now, and I wonder if my mental image of the day my father came with it as a gift for my brother and me is the work of memory or imagination. He walks in as if he has a happy secret and l...