Skip to main content

Mountains, books

The Folded Earth had its first outing in Landour, Mussoorie, at the Winterline Writer's Festival. Landour is a lovely little town just of Dehradun and has some famous old residential schools, including Woodstock, where the festival was held. What do you get when you stir in a pan several hundred school-children demented with the joy of half term and sugary chocolate icebars along with a few poets, novelists, climbers, artists, wildlifers, nature writers, guitarists in a tiny hill town? There were shrieks and squeals when Paro Anand read her stories to the kindergarten population; some stiffening backs when Arvind Mehrotra read from his translations of 4 BCE erotic poetry (well after school hours); George Schaller's talked of his astonishing travels across the Tibetan plateau in search its wildlife, the Swiss photographer Coni Horler, whose brilliant landscapes were on display, gave out the secret behind his waist-length hair (coconut oil) and determined efforts revealed that Mussoorie's one-street bazaar did have a nightlife.


The book may well pitch its tent somewhere on the slopes of Kilimanjaro next, or the Alps. According to one reviewer The Folded Earth can be a handy stand-in for a hill holiday. The reviewer comments: "If you, like me, expect to be cheated out of the Himalayas again this summer, I recommend Anuradha Roy’s second novel instead. Its pages are crowded with the small intense pleasures of a long trek, to be recalled years later with unbearable yearning by a veined stone, a fossil, a dry leaf. The pain of that intimacy acknowledges the imponderable: we rush to embrace the wilderness and dread the terror of being embraced by it. The Folded Earth embodies this paradox: it is a joyous novel about grief."




Popular posts from this blog

Painting a Residency

I spent most of May and a part of June at the De Pure Fiction residency in a tiny, isolated hamlet in the Occitanie in France. To write about the place and what it did to my work and to me will take time -- to reflect, to let things settle. Meanwhile, Isabelle Desesquelles, the French novelist who runs the residency, asked me a set of questions before I left, and has posted it on the blog with watercolours I painted while I was there. La Lettre #36 _______________ Anuradha Roy a publié cinq romans. Elle a résidé à la maison De Pure Fiction en ce printemps pour son prochain livre et depuis, les chevreuils, les oiseaux - rouge-gorge familier, huppe fasciée, pivert, coucou - les lézards verts, les libellules bleues, les papillons semblent s’être mis eux aussi à la lecture, la cherchant sous les pétales d’un coquelicot ou au travers du feuillage des oliviers. Peut-être même, tous, envisagent-ils de faire le voyage jusqu’en Inde et l'Himalaya où Anuradha Roy vit, ...

Begum Anees Khan

  Once a week around midday, Maulvi Sah’b would come in through the gates of our school in Hyderabad and class would divide briskly into two and troop off to different parts of the building. Those who were Muslim would be at religious instruction classes with him for the next half hour while the others trudged through moral science lessons. Something similar happened during language classes. We would hear a singsong chorus of “A-salaam-aleikum, Aunty”, from the Urdu classroom as we sat at our Sanskrit or Telugu lessons. Through my nomadic childhood, I’ve been at many schools. None exemplified the idea of secular India as intensely as this Muslim school in Hyderabad. Begum Anees Khan, who made it so, died in Hyderabad on August 16. Her passing feels symbolic, as if it signifies the death of a quixotic idea.  Anees Khan was not given to seeking the limelight or making speeches. She never spelled out her secularism. It was instinctive: instead of words, there was act...

THROWING IT OUT AND STARTING AGAIN

One evening in 2007, just as I was sitting down to dinner in Delhi, my then-brand-new publisher phoned from London. In the marvelously parenthetical, elliptical manner that was to become familiar to me over the next few years, he began talking of symphonies. Had I considered, he wanted to know, how symphonies are structured? “Not really? Well, as it happens . . .” After around ten minutes of his apparently aimless lecture on music, my interrupted dinner stone cold, the penny dropped: On the brink of publication, he wanted me to rethink my opening chapter.  (Read it here in Catapult) After I hung up, I returned to my plate of congealed food in silence. My husband and I were to drive up to our hill home at dawn—a holiday to celebrate the end of my endless first novel. And now at the eleventh hour this bombshell about the opening chapter. Even a novice knows that changing an opening chapter is rather more difficult than changing a concluding chapter because it means having to lo...