Early reviews of The Folded Earth in the UK

"I was captivated by The Folded Earth and swept into its narrative...tells a story about love and hate, continuity and change, loss and grief in a convincing and memorable setting" The Independent

"a gently perceptive story, half-comic, half poignant" Sunday Times

"her prose is tight with life" Daily Mail

"a deeply unsettling but beautiful novel... utterly enrapturing... with incredibly touching moments...Her elegiac tone also means that Roy engages with longstanding debates, for instance the detachment of formal politics from the ‘real world’, the divisiveness of Hindu nationalism and the destruction of the environment, in a truly human and emotive way...The Folded Earth constantly grapples with grandiose themes almost effortlessly... Roy’s writing remains gently poignant and metaphoric throughout, every vignette and scenario she constructs feels multi-layered and deeply meaningful." For Book's Sake

"Roy has an admirably restrained style and her novel offers a vivid evocation of north India. She conjures up striking images with the lightest of touches" Tatler

‎"A perfect treat after the hurly-burly of Christmas, this quiet, poetic tale entices you into the foothills of the Himalayas Anuradha Roy won much acclaim for her first novel.The Folded Earth, a remarkably assured work, is her second novel and filled with beautifully crafted prose...The whole is marked by an elegant restraint which serves to make the story all the more powerful." Country and Town House Magazine, UK

"Roy’s precise prose creates the atmosphere of the hill town perfectly, and the characters are memorable and convincing. Many of the scenes are almost poetic, and some are heartbreaking... This is a book about love, loss, conflict and change, captivating and beautifully written. I recommend it to individual readers and reading groups. Five stars." Newbooks Mag

All the Lives We Never Lived wins the Sahitya Akademi Award 2022

Anuradha Roy bags coveted Sahitya Akademi Award, 22 others feted Anuradha Roy bagged the coveted Sahitya Akademi Award on Thursday. The author of 'All The Lives We Never Lived ' was felicitated along with 22 other authors for their exemplary contribution in the field of literature. This is the fourth book penned by the 40-something Roy. This book also won the prestigious Tata Book of the Year Award for Fiction in 2018. The book revolves around the life and times of a horticulturalist Myshkin, who narrates his life story, and his unending wait for letters from etters from the mother who abandoned him, for greener pastures in another country. Roy, who lives in Ranikhet, has previously written 'An Atlas of Impossible Longing', 'The Folded Earth' and 'Sleeping on Jupiter' which won the DSC Prize for Fiction 2016. It was also longlisted for the Man Booker Prize in the year 2015. Read more at: https://economictimes.indiatimes.com/ma...

Ten years of Anuradha Roy’s ‘An Atlas of Impossible Longing’: What the writer and publisher remember ‘For three years, it was an alternative, secret universe in which I lived, awake or asleep.’ On serendipity and the difficult road to getting published: Anuradha Roy, writer Read this in Scroll.in Christopher MacLehose and Anuradha Roy. Photograph by Rukun Advani An Atlas of Impossible Longing started in one of those “dummy books” – blank pages, hardbound – that binderies used to make to establish accurately the spine width of books that they would bind for a publisher. The publishing house was one my partner and I had recently set up. It had no capital but our savings, no office, and the only books as yet were dummies with blank pages. Because I still have that notebook, I know I wrote the first section of Atlas in pencil, in a non-stop scrawl that poured out without warning. It went on for a few pages and then came to a stop, after which the ...

Language, Lost and Found

In France for a long spell earlier this year, everyone around me speaking in a language I didn’t speak or read, I began to think about the many streams of language I've swum in. My mother tongue, Bengali, was the language of home and of intimacy. Yet somewhere along those years, with a sigh drowned out by babel, the language had left me. I tried to find my way back to it through writers like Leela Majumdar and Bibhutibhushan. In "Language, Lost and Found" out now in Noema Magazine, I write of how I found it again, and of language in alien contexts. I'm not sure if this essay is travelogue or memoir or a bunch of stories. But here it is, and I hope you will read it. It was a red paperback with a green, winking cat spread across its large front. Just a few taps pulls it up on my screen now, and I wonder if my mental image of the day my father came with it as a gift for my brother and me is the work of memory or imagination. He walks in as if he has a happy secret and l...

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