" How does a writer compete against the media's invasion of public discourse in all its chattering, hectoring, commercially packaged format?" This is a challenging, but by the same token, very exciting time for the Indian novelist – certainly the Indian novelist who writes in English. In an obvious and easily accessible sense, this has to do with the opening up of the global market. However, there are certain other aspects of this development that have a more direct bearing on the creative situation. The problems of belonging and identity that played such a preponderant role in the first decades – the terrain that was memorably identified by Meenakshi Mukherjee as “ the anxiety of Indianness ” - seem to have lost some of their fascination. It is remarkable, therefore, that two (and arguably, three) of the five novels on our shortlist are set outside India, set as far afield as Guyana and Morocco. This is, unquestionably, a welcome development – Indianness is